We played tag for a year and a half trying to get Eryn Holbrook (occasionally aka Daisy Jones-Locher) a gig at the Butchershop Floor, and then when we finally had it clinched, the space closed down.  But because it is the only way for us to get a chance to hear her compositions on voice and keyboard, we put together another show for her (and us) at the Annex for last year’s Music Waste festival — also the first Plankian appearance of (ir)regular Peg-Leg Right-Eye Ryan!  A year later we had a hankering to hear her stuff again, and so we bring it full circle back to the Little Mountain Studios, on the site of the old Butchershop, at 195 E. 26th (at Main), for a night of musical numbers.Hosting the proceedings is LMS proprietor Ehren “Monsterdinosaur” Salazar, doubtlessly regaling us with tales and tunes of ages so bygone they haven’t happened yet.  Also on deck is a magic show from our own Dr. Steelhand of the slide guitar!  Doors at 8, $3 cover.  Sure to be one of our most charming summer evenings yet!

Fame and/or notoriety is a funny thing; venture out into the public and do your thing and one way or another word will spread, the curious fruit tumbling well past beyond where the seeds were sown. One afternoon we were culling the spammers and number-collectors from our MySpace page when we found a friend invite from some stranger in Winnipeg. Did any of us know anyone in Winnipeg? Had any of us ever been to Winnipeg? Could this be anything other than crackling static background noise emitting from the black hole at the heart of the online universe? Naturally, in the bitbucket it went. Not long after, we received a curious message inquiring as to whether we were interested in playing on a bill with them at the Little Mountain Studios. The asker looked familiar… oh! it was that person we’d denied and rejected! How embarrassing. I can proudly say that we now have one friend in Winnipeg.

Come out Wednesday and maybe you could, too! J.R. Hill is touring the great Canadian West and we are proudly presenting him to you at, oh, let’s say 8 pm this Wednesday evening (May 7th); the LMS remains at 195 E. 26th Avenue (at Main) and after our most recent engagement there last month we are pleased to report that following renovations its acoustical properties are still quite simply beautiful. We’ll really be putting it through its paces a month later, on a night of musical numbers… but one thing at a time!

Squeezebeard is pleased as punch to have moved on from using a word processor as a poster design tool; if you’re on a Windows XP box with the .NET framework installed, can’t afford Photoshop (an’ what kind ‘o pirate be ye precisely ta be’s worried by such a problem?) and can’t grok The Gimp, he endorses Paint.NET, used here to synthesize a lively doodle straight out of Mr. Hill’s sketchbook with a flipped panel from Gustave Dore’s illustrations for Coleridge’s Rime of the Ancient Mariner (really it’s a marvel the two hadn’t collaborated earlier!):

Due to a lack of confirmation, Lise Monique of Wintermitts was not ultimately billed as appearing on tonight’s bill, but appear she did — and thank goodness, as despite the split in our promotions, I think most of the crowd turned up just to see her (and her skilled French glockenspiel player). We had a blast and now have one friend in Winnipeg… and if we’re lucky we may someday get to play the George the Cat song with him again!

April’s been a busy month of catch-up for us! In the aftermath of A Dybbuk, we enjoyed a fragmentary turnout at two after-parties (Squeezebeard keeps losing the addresses; he says, just gimme a treasure map an’ I’se kin find X well enough!), played two great shows back in our goofy element, the first (Apr 11th) back at Trees (to which we will be returning again in early September) and the next (April 14th) a homecoming show of sorts, acoustic with friends sitting on the floor in the gallery of the Little Mountain Studios, where we’re the house band, site of so many practices, rehearsals and residencies… as well as a big noisy party celebrating Squeezebeard’s birthday. On top of the shows, a swell arrangement with some charming PAVI students had a couple of us recording some backbone tracks at Blue Wave Studios, drawing on the next-door-recorders Company B to provide some zombie gang groans with improbably professional equipment. We’ll let you know how those turn out as we put down some overdubs on top. All that plus Lee Shoal and Planks pal Allan Macinnis got us a mention in the current issue (edit: huh! and an earful on the website) of the UK music magazine The Wire. Not bad for a couple of weeks getting back into the swing of things!

There are of course more shows coming up. Some of them are quite imminent, in fact. Tonight, Planks will be taking to the stage as features at the Little Mountain Neighbourhood House’s (3981 Main Street at 24th Ave.) weekly Thursday night open mic, hosted by the man who put the cur in curmudgeon, Rick Keating! Our fiddler Johnny Wyoming, a regular at the series, recounts that the evening tends to unfold with socialising around 7:30 pm, the open mic rolling on at 8 through 8:45 for a brief intermission before an hour of feature performance starting around 9 pm.

More is coming up quick — Planks should be playing at Beans (1804 Lonsdale Ave.) in North Vancouver next Monday (April 28th) 8-10 pm, then we have a special Tuesday morning engagement with FreeGeek, our other “house band” engagement, and new shows cropping up in May and beyond… but one thing at a time. First let’s get through tonight and see what remains when Rick’s done with us!

Courtesy of the illustrious history of the Butchershop Floor gallery that formerly occupied the space, the Creaking Planks have maintained fairly chummy relations with the Little Mountain Studios that assumed its lease… not least due to sporadically guitarrón-slinging Scruffy Bigbass’ participation in both organizations. Though it’s a tradition that, as recently remarked upon, has been disrupted for a while, we’ve long been considered the “house band” for exhibition openings, and have enjoyed on-again-off-again “residency” (which is fancy musician jargon for free practice space that the public can drop in on.) In addition to the openings in the front-of-house, with the back vacated by the improv pioneers the staff have been occasionally curating small music shows in the back studio.

This Friday, you get both: “The Danger of Disappearing“ opens, featuring new drawings by “This is the story about how everything got ruined” auteur Erik Lyon, plus a concert around back featuring the SSRIs, Russian Words and Emmett Hall. Hymn For Her fell off the bill, and proprietor Ehren Salazar was invited to occupy the vacuum; he in turn invited us to join him in helping to fill that space with glorious sound. We may be playing the opening up front; we may be playing the concert around back; we may be playing both! (but likely not at the same time… unless we straddle the middle and broadcast in both directions simultaneously.) However it goes down, we’ll be on relatively early — think 8 pm — to give Blackbox Squeezebeard time to hustle down to Natasha Enquist’s star turn on the International Women’s Day episode of Accordion Noir at 9:30 pm.

Find attached two thumbnails, one of Erik’s new work, and one of the original concert poster before we sinisterly replaced Hymn For Her — click for the full pictures: