We haven’t played a show with our Victorian friend Natasha Enquist since the Accordion Noir festival four months ago, but her luscious leiderhosen made a compelling case for welcoming her back to town.  Besides, she sat in the front row when we played the Solstice, so we owe it to her to make her feel welcome.  Similarly, with some false alarms accounted for it’s been a while since we last played the Little Mountain Studios (almost seven months! can it truly be?  unprecedented!), but perhaps the absence will make our return to our first “house band” assignment all the sweeter.  And how better to cinch the deal than draw on our renaissance man of the arts, Ehren Salazar, improvisatory master of every medium he sets himself to.  (Need we remind you of the thrilling account of the reverse zamboni?)  All that plus we hope to fool Dr. Steelhand into bringing out the cards and coins again for some legerdemain and fine trickery, and it can be yours for a suggested five dollar donation to help us float Natasha out with her squeezebox.  (For a sneak preview, catch her the night of Friday the 2nd from 9:30-10:30 pm on Accordion Noir at CFRO 102.7 fm!)

Edit: arguably our best LMS performance ever, despite virtually no PA and the bitter end of Vancouver’s surprise winter weather (the LMS formerly being a butcher’s shop, the back area is actually designed precisely for making meat cold; in any case, the hoary frost kept Daisy Jones-Locher away, but otherwise it was a nice Planks reunion to get the year off to a good start) — we filled every chair in the place and all the acts were well-received, with special audience guests the Mezamazing crew who we hope to join us on stage there in a few months.

Calgary visitor Sean handily took a photo of the proceedings, the space still decked up for the holidays. Can you spot the new member?

Sean took a photo of the Planks in full array

What’s more, Cap’n Jack Spareribs posted a live video up on Facebook from the concert of Natasha playing the old Russian standard “Dark Eyes” or Ochi chyornye … and Planks Lee Shoal and Wyoming Johnny cutting a rug to it!

We played tag for a year and a half trying to get Eryn Holbrook (occasionally aka Daisy Jones-Locher) a gig at the Butchershop Floor, and then when we finally had it clinched, the space closed down.  But because it is the only way for us to get a chance to hear her compositions on voice and keyboard, we put together another show for her (and us) at the Annex for last year’s Music Waste festival — also the first Plankian appearance of (ir)regular Peg-Leg Right-Eye Ryan!  A year later we had a hankering to hear her stuff again, and so we bring it full circle back to the Little Mountain Studios, on the site of the old Butchershop, at 195 E. 26th (at Main), for a night of musical numbers.Hosting the proceedings is LMS proprietor Ehren “Monsterdinosaur” Salazar, doubtlessly regaling us with tales and tunes of ages so bygone they haven’t happened yet.  Also on deck is a magic show from our own Dr. Steelhand of the slide guitar!  Doors at 8, $3 cover.  Sure to be one of our most charming summer evenings yet!

Courtesy of the illustrious history of the Butchershop Floor gallery that formerly occupied the space, the Creaking Planks have maintained fairly chummy relations with the Little Mountain Studios that assumed its lease… not least due to sporadically guitarrón-slinging Scruffy Bigbass’ participation in both organizations. Though it’s a tradition that, as recently remarked upon, has been disrupted for a while, we’ve long been considered the “house band” for exhibition openings, and have enjoyed on-again-off-again “residency” (which is fancy musician jargon for free practice space that the public can drop in on.) In addition to the openings in the front-of-house, with the back vacated by the improv pioneers the staff have been occasionally curating small music shows in the back studio.

This Friday, you get both: “The Danger of Disappearing“ opens, featuring new drawings by “This is the story about how everything got ruined” auteur Erik Lyon, plus a concert around back featuring the SSRIs, Russian Words and Emmett Hall. Hymn For Her fell off the bill, and proprietor Ehren Salazar was invited to occupy the vacuum; he in turn invited us to join him in helping to fill that space with glorious sound. We may be playing the opening up front; we may be playing the concert around back; we may be playing both! (but likely not at the same time… unless we straddle the middle and broadcast in both directions simultaneously.) However it goes down, we’ll be on relatively early — think 8 pm — to give Blackbox Squeezebeard time to hustle down to Natasha Enquist’s star turn on the International Women’s Day episode of Accordion Noir at 9:30 pm.

Find attached two thumbnails, one of Erik’s new work, and one of the original concert poster before we sinisterly replaced Hymn For Her — click for the full pictures: