Posted: April 1st, 2011 | Author: Blackbox Squeezebeard | Filed under: Show announcements and recaps | Tags: Al Mader, Barbara Adler, C. R. Avery, Dr. Steelhand, fundraiser, High Society, launch, Lucia Misch, Vancouver Poetry Festival, Venus, WISE Hall | No Comments »
You probably missed us March 12 playing an intimate acoustic living room set to celebrate a new line of Venus’ vintage jewellery. That was too bad, but her works live on and you can find them online! Performances are ephemeral however, none more than poetry performances — even the loudest among them often fly under the radar just outside the front door, while a jerk with a car stereo can be belt blocks away. Musicians, though, we straddle the line between poet and jerk, and tomorrow night we will be making a spirited ruckus on behalf of the quiet poets of page and slam, making our sound and fury to benefit the upcoming 1st annual Vancouver International Poetry Festival.
Joining us will be such mouthy titans as Al Mader, the minimalist jug band, as well as Barbara Adler of Fang and elder statesman of the harmonica beatbox C. R. Avery. Also on the bill are Lucia Misch, our friends in High Society, and even a very literary turn by our own Travis the Magician. (A wizard of words, perhaps?)
Admission runs on a sliding scale from $10-15.

Our standard pre-set warm-up.
Posted: January 19th, 2011 | Author: Blackbox Squeezebeard | Filed under: Show announcements and recaps | Tags: Al Mader, anniversary, Deet Street Productions, Petunia, Railway Club, Tamara Nile | 4 Comments »

Sunday January 30th, 2005, in the auditorium at the Western Front, a room which has seen so many deliberately stranger things, an accordionist with a performance poetry troupe met an outsider acoustic noise duo with slightly more underground musical sensibilities than the Shaggs had, and knew that their two great tastes must go great together. Enter: the Creaking Planks. Six years later, we skip lightly past the endless living rooms, back yards, and festivals, Vancouver’s introduction to the ZombieWalk, a pirate flashmob, two stage musicals, gigs down the US Pacific seaboard (studded with the abandoned hulks of derelict tour vehicles), and memorable mixed bills — following ’50s squeezebox sex symbol Dick Contino at the 20th annual Cotati Accordion Festival, and opening in turn for free software guru Richard Stallman… our two biggest gigs!
Now we actually know how to play our instruments, and our musical sensibilities have matured from “Can we play this?” to “Should we play this?” In honour of our six years we’re putting to bed many of the songs we’ve kept close this whole time, and celebrating onetime contributors whose paths led them through the rotating roster of Planks before settling for other, less strange projects. We may not match our record of 11 Planks on-stage simultaneously, but we should be able to at least cumulatively meet that high-water mark over the course of the night. Joining us will be musical guiding lights Petunia the yodeling cowboy and Al Mader, the Minimalist Jug Band, whose “I’m a Lousy Lay” were the magic words that got us together in the first place.
It’s also a retirement for Dieter Friesen’s tenure booking his Deet Street nights at the Railway Club, a long association between him and us dating back to our first appearance there in April ‘06 sharing a bill with his band Rick Danko’s Ghost under the auspices of Tamara Nile. In short, we have numerous reasons to be celebrating this night, of things changing more the more they stay the same.
Update! Allan reviewed it, in a roundabout fashion, and an American friend came up from Bellingham to enjoy some great music and take a bunch of pictures capturing the night’s wild and wooly energy!
Posted: October 21st, 2009 | Author: Blackbox Squeezebeard | Filed under: Show announcements and recaps | Tags: Al Mader, Deet Street Productions, Gadjo, Hallowe'en, Railway Club | No Comments »
It’s that spooky time of year again and in the run up to All Hallow’s Eve, the Deet Street is getting psyched to bring a couple sets from some Railway veterans to get you movin’ your ghostly feet. The Creaking Planks, Vancouver’s own pirate jug band of the damned is back to bring you a musical experience unlike anything you’ve ever heard, the perfect accompaniment to your haunted pre-hallow’s Monday evening.
But before their spooky set, be sure to check out Gadjo’s Django Reinhardt-inspired gypsy swing; jazzy virtuosic mellowness at its best.
But wait, there’s more: be sure to get there early so you don’t miss a very special set from Al Mader, The Minimalist Jug Band. Al’s inimitable brand of beatnik punkabilly is something you won’t find anywhere on this earth.
Furthermore, being as we’re approaching Halloween, the Deet Street invites all of you to dress up as your favourite dead (ie: Michael Jackson, but he’s still merchandising his ass off), almost dead (ie: Amy Winehouse, poor girl needs to chill out) or should be dead (ie: Keith Richards, PS: WTF how the hell is he still going) musician. As always the beers will be cold, the music rocking, the company excellent and the times great. It’s the spookiest Monday night this side of a Scooby Doo Halloween Special.

The Railway Club is at 579 Dunsmuir Street (at Seymour, upstairs). Doors at 8:30PM, show at 9. Admission is $7 / $5 for Railway members.
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Even if we were on too late for the photographer to catch us, Lauren Eldridge of Backstage Vancouver soundly enjoyed this show, and wasn’t afraid to tell everyone — on its blog and on its Twitter feed! She came back for more the next night and got a very different beast at Blackstrap Sadie’s
Posted: March 24th, 2009 | Author: Blackbox Squeezebeard | Filed under: Show announcements and recaps | Tags: Al Mader, birthday, Cafe Montmartre, Dr. Steelhand, Ehren Salazar, Eryn Holbrook, Hieronymus Bosch, John Barbour, magic, Paul Hendriks, variety show | 2 Comments »
As an experiment into filling a whole night at Cafe Montmartre (4362 Main Street at 28th Avenue) with varied textures of performance from members of our multifarious crew and extended family, the Creaking Planks celebrate Blackbox Squeezebeard entering into his fourth decade with the April (Ship of) Fools Variety Show from 8 pm through “late” (past midnight!) Saturday, April 4th. Performances will include magic from Travis, interstitial improvisation and ukulele from Ehren Salazar and John Barbour, new music from familiar faces Paul Hendriks (aka the Rev. Lucian Rumblebucket), possibly demonstrating his banjo aptitude, and Eryn Holbrook (aka Daisy Jones-Locher — who worked a wonderful whimsical adaptation of Hieronymus Bosch’s “Ship of Fools” into the show’s poster!) contributing a solo set a couple of months earlier than usual, sharing her voice-and-keys songwriting not much heard since the days of her Perpetual Dream Theory project. Also joining us will be a very special set from washtub bass outsider Al Mader, the Minimalist Jug Band, and of course a couple of sets of Creaking Planks creaking and planking.
At Montmartre we play for tips, but we anticipate your generosity in support of this jam-packed night and its auspicious occasion.

Edit: phew! What a night! Check out VanCityMike’s gallery of shots from the variety show up on Flickr!