On Friday February 6th, Free Geek Vancouver (one of our now three “house band” arrangements, though admittedly they don’t have incredibly frequent occasions on which to call on us) invited us to do a brief set opening for a speech on copyright and freedom by renowned hacker Richard Stallman at the Maritime Labour Centre.  We rolled out a couple of technological standards (Korobeiniki aka “the Tetris song”, Kraftwerk’s “Computer Love”) as well as a new piece for the occasion (Flanders and Swann’s “the GNU song” — enjoy this rendition by the Muppets!)  Most harrowingly, however, the organizers hoped for us to join the evening’s main speaker for a stirring rendition of his Free Software Song, in the unorthodox time signature of 7/4.  Due to complications, we were unable to secure either a sound check or a moment’s rehearsal with the main attraction, so what follows is a raw document (c/o Alan Zisman, who recorded our whole set — perhaps to be exposed here once it’s recovered) of us bucking up and boldly plunging once more unto the breach.

(The Feb 19th, 2009 episode of Each For All at Co-op Radio used a recording of our Korobeinki rendition to open the episode before discussing Free Software and rebroadcasting Stallman’s lecture.)

Also, cheers to Julie Peters who threw our new, “kid-friendly” rendition of Closer (straight from our CJSF apperance, from one campus station to the next) on the Feb 11th episode of her radio show Audio Text (on CiTR, 101.9 fm) alongside passionate appearances from RC Weslowski, Magpie Ulysses, and Duncan Shields.  If you like, you can download a podcast recording of the episode here — though we only turn up with the one song.  The rest of the crew do their bit to make it a charged, erotic recording that meets its holiday occasion head-on.

Unrelatedly, If anyone out there (I’m looking at you, Portland) has ended up with any early Creaking Planks demo material, would it be possible for you to send us a digital photo of the design and packaging (such as it is)?  We’re perversely interested in putting up a gallery here of merchandise that is essentially unobtainable.  See what you missed?

We haven’t played a show with our Victorian friend Natasha Enquist since the Accordion Noir festival four months ago, but her luscious leiderhosen made a compelling case for welcoming her back to town.  Besides, she sat in the front row when we played the Solstice, so we owe it to her to make her feel welcome.  Similarly, with some false alarms accounted for it’s been a while since we last played the Little Mountain Studios (almost seven months! can it truly be?  unprecedented!), but perhaps the absence will make our return to our first “house band” assignment all the sweeter.  And how better to cinch the deal than draw on our renaissance man of the arts, Ehren Salazar, improvisatory master of every medium he sets himself to.  (Need we remind you of the thrilling account of the reverse zamboni?)  All that plus we hope to fool Dr. Steelhand into bringing out the cards and coins again for some legerdemain and fine trickery, and it can be yours for a suggested five dollar donation to help us float Natasha out with her squeezebox.  (For a sneak preview, catch her the night of Friday the 2nd from 9:30-10:30 pm on Accordion Noir at CFRO 102.7 fm!)

Nice photo, eh? It’s by Samantha King!

Edit: arguably our best LMS performance ever, despite virtually no PA and the bitter end of Vancouver’s surprise winter weather (the LMS formerly being a butcher’s shop, the back area is actually designed precisely for making meat cold; in any case, the hoary frost kept Daisy Jones-Locher away, but otherwise it was a nice Planks reunion to get the year off to a good start) — we filled every chair in the place and all the acts were well-received, with special audience guests the Mezamazing crew who we hope to join us on stage there in a few months.

Calgary visitor Sean handily took a photo of the proceedings, the space still decked up for the holidays. Can you spot the new member?

Sean took a photo of the Planks in full array

What’s more, Cap’n Jack Spareribs posted a live video from the concert of Natasha playing the old Russian standard “Dark Eyes” or Ochi chyornye … and Planks Lee Shoal and Wyoming Johnny cutting a rug to it!

and one last pic for the road!